Views:212|Rating:5.00|View Time:2:22Minutes|Likes:62|Dislikes:0 Check out SurlyMac’s channel here.
He does incredible blues and soul songs. His ballads are amazing, especially his version of Randy Newman’s “I Think it’s Gonna Rain Today.” He’s made beautiful instrumental pieces. Sometimes, he discusses the nuts of bolts of the equipment that he’s using. And there’s always lots of hilarious comedy in his videos.
He lives near me, so we’re gonna jam at some point. He plays a mean harmonica!! I mean: a surly harmonica!! :))))
I used the Artisto app for the visual effects. These are scenes that I filmed around NYC.
Check out Surly’s original video for this great song. It’s on his channel.
Views:2525849|Rating:4.76|View Time:2:3:4Minutes|Likes:9713|Dislikes:496 Christmas Music – Smooth Christmas JAZZ – Christmas Traditional Songs Instrumental
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Views:6966242|Rating:4.81|View Time:5:48Minutes|Likes:74307|Dislikes:2931 Provided to YouTube by Universal Music Group North America
Somebody Else · The 1975
I like it when you sleep, for you are so beautiful yet so unaware of it
℗ ℗ 2016 Dirty Hit under exclusive license to Interscope Records
Released on: 2016-02-26
Producer, Mixer: Mike Crossey
Producer, Keyboards, Programming, Synthesizer: George Daniel
Producer, Background Vocalist, Electric Guitar, Keyboards, Vocals: Matthew Healy
Engineer: Jonathan Gilmore
Electric Guitar: Adam Hann
Mastering Engineer: Chris Gehringer
Author, Composer: Matthew Healy
Author, Composer: George Daniel
Author, Composer: Adam Hann
Author, Composer: Ross MacDonald
Music Publisher: Kobalt Songs Music Publishing
Views:179|Rating:5.00|View Time:2:37Minutes|Likes:8|Dislikes:0 ANY Godet , Romeo ( chanteuse BELGE vinyl record RARE )
Les chanteuses françaises des années 60
OLDIES POPCORN KILLER FRANCAIS RARE
NORTHERN SOUL POPCORN OLDIES FRANCAIS
YEYE FRANÇAIS . FRENCH POP
MUSIQUE sixties Oldies 60’s ‘N’ 70’s
Views:1|Rating:0.00|View Time:33Minutes|Likes:0|Dislikes:0 What the seriously the best the old video and the original the music too later of 3 year throw of this year the 2015! Year to old channel best the channel before and new channel name by: Angry Playtime!
Views:14598|Rating:4.94|View Time:4:Minutes|Likes:161|Dislikes:2 “Love for Sale” is a song by Cole Porter, from the musical The New Yorkers which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising various kinds of “love for sale”: “Old love, new love, every love but true love”.
The song’s chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, using what is practically a trademark for Porter, shifts between a major and minor feeling.
“Love for Sale” was originally considered in bad taste, even scandalous. In the initial Broadway production, it was performed by Kathryn Crawford, portraying a streetwalker, with three girlfriends (Waring’s Three Girl Friends) as back-up singers, in front of Reuben’s, a popular restaurant of the time. As a response to the criticism, the song was transferred from the white Crawford to the African American singer Elisabeth Welch, who sang with back-up singers in a scene set in front of Harlem’s Cotton Club.
Despite the fact the song was banned from radio airplay, or perhaps because of it, it became a hit, with Libby Holman’s version going to #5 and the “Fred Waring’s Pennsylvanians” version going to #14, both in 1931. (All other 1931 recordings of the song were as an instrumental.)
Notable recordings since include Hal Kemp in 1939, Billie Holiday in 1945, Stan Kenton in 1950 (arranged by Pete Rugolo), Joyce Bryant in 1952, Eartha Kitt in the 1950s, Ella Fitzgerald in 1956, and again in 1972 on her Ella Loves Cole album, Tony Bennett in 1957, Miles Davis and Cannonball Adderley for 1958 Miles and Somethin’ Else, Anita O’Day in 1959, Dexter Gordon in 1962, Al Hirt on his 1965 album, Live at Carnegie Hall, The Manhattan Transfer in 1976, the German disco group Boney M. in 1977, Donald Byrd on the Love Byrd album in 1981, Elvis Costello live on the remastered Rhino Entertainment CD of his 1981 record Trust. Harvey Fierstein performs a memorable (if interrupted) version in the movie version of his play Torch Song Trilogy. Martin Smith sang the song in the Cole Porter revue A Swell Party – A Celebration of Cole Porter at London’s Vaudeville Theatre in 1992. Simply Red led by Mick Hucknall sang this song at the Montreux Jazz Festival in 1992. Harry Connick, Jr. covered it in 1999 on his album Come by Me. Amanda Lear recorded a version in 2006.
Other vocal versions include Mel Torme’s, Dinah Washington’s, Liza Minnelli’s, Diane Schuur’s, Dianne Reeves’, Cyrille Aimée’s and Fine Young Cannibals’. The song has become a jazz standard.
Shirley Valerie Horn (May 1, 1934 — October 20, 2005) was an American jazz singer and pianist. Horn collaborated with many jazz greats including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as “like having two heads”, and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as “like clothing, as she seduces you with her voice”. Although she could swing as strongly as any straight-ahead jazz artist, Horn’s reputation rode on her exquisite ballad work.
Shirley Horn kept for twenty five years the same rhythm section: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about “the importance of bassist Charles Ables and drummer Steve Williams to Horn’s sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection”.
Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) forced her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan’s Au Bar with trumpet player Roy Hargrove, which did not satisfy her. It remains unreleased except for tracks on But Beautiful – The Best of Shirley Horn.
A breast cancer survivor, she had been battling diabetes when she died of complications from it at the age of 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C.
Shirley is accompanied by Jerome Richardson (flute, woodwind); Frank Wess (flute, tenor sax); Al Cohn (tenor sax); Gerry Mulligan (baritone sax); Joe Newman (trumpet); Kenny Burrell (guitar); Milt Hinton (double bass); Osie Johnson (drums); Gene Orloff (violin); Hank Jones (piano); and Jimmy Jones (piano/arr/cond). Recorded September 13, 15, 1962 in New York City. (Mercury Records)
Views:4382|Rating:4.86|View Time:11:2Minutes|Likes:171|Dislikes:5 Please watch: “Loki is bound by the Serpent: Loki’s Location – Norse Mythistory”
The Mysterious Tower of Babel. The Tower of Babel, as told in Genesis 11:1-9 is more than just an origin myth meant to explain why the world’s peoples speak different languages. According to the story, a united humanity in the generations following the Great Flood, speaking a single language and migrating eastward, comes to the land of Shinar. There they agree to build a city and a tower tall enough to reach heaven. God, observing their city and tower, confounds their speech so that they can no longer understand each other, and scatters them around the world. Some modern scholars have associated the Tower of Babel with known structures, notably the Etemenanki, a ziggurat dedicated to the Mesopotamian god Marduk by Nabopolassar, the king of Babylonia circa 610 BCE. The Great Ziggurat of Babylon was 91 metres (300 ft) in height. Alexander the Great ordered it to be demolished circa 331 BCE in preparation for a reconstruction, that his death forestalled. A Sumerian story with some similar elements is told in Enmerkar and the Lord of Aratta. The Biblical narrative
1 And the whole earth was of one language, and of one speech.
2 And it came to pass, as they journeyed from the east, that they found a plain in the land of Shinar; and they dwelt there.
3 And they said one to another, Go to, let us make brick, and burn them throughly. And they had brick for stone, and slime had they for morter.
4 And they said, Go to, let us build us a city and a tower, whose top may reach unto heaven; and let us make us a name, lest we be scattered abroad upon the face of the whole earth.
5 And the LORD came down to see the city and the tower, which the children of men builded.
6 And the LORD said, Behold, the people is one, and they have all one language; and this they begin to do: and now nothing will be restrained from them, which they have imagined to do.
7 Go to, let us go down, and there confound their language, that they may not understand one another’s speech.
8 So the LORD scattered them abroad from thence upon the face of all the earth: and they left off to build the city.
9 Therefore is the name of it called Babel; because the LORD did there confound the language of all the earth: and from thence did the LORD scatter them abroad upon the face of all the earth.
— Genesis 11:1–9
The phrase “Tower of Babel” does not appear in the Bible; it is always “the city and the tower” or just “the city” The original derivation of the name Babel (also the Hebrew name for Babylon) is uncertain.
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Views:1407|Rating:4.50|View Time:18:29Minutes|Likes:9|Dislikes:1 The Lemon Bucket Orkestra, Toronto’s only Balkan-Klezmer-Gypsy-Party-Punk-Supertwist, performs traditional Eastern European tunes with electric energy and great charm. In between pieces they emphasize the importance they attach to tradition, people and community, and their love for the unexpected, accidental intimacy that can occur when they perform, be it on the street or in a fine concert hall. Watch the 14-piece band bring the house down.
Views:32|Rating:0.00|View Time:2:52Minutes|Likes:|Dislikes: £250.00 Buy Me @ www.raresoulman.co.uk
a stunnig copy – strong clean MINT minus throughout. A Gene Redd project delivering two sides of immense quality. Topside is a timeless Northern Soul anthem. The flipside is an overlooked mid-tempo masterpiece.
Title: I’m Spellbound
Produced By: Gene Redd
Arranged By: Gene Redd
Written By: Gene Redd, Rose Marie McCoy & J. Crosby
Title: Am I Glad Now
City: detroit, mich
Co-wrote By Rose Marie Mccoy & J. Crosby.
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Tamiko Jones – Am I Glad Now – GOLDEN WORLD: GW 40 DJ
Views:1081|Rating:5.00|View Time:3:18Minutes|Likes:5|Dislikes:0 My One and Only Love MUSIC TO DRIVE BY is volume 1 in the MUSIC YOU WILL LOVE series. Great American Songbook music. STAN WIEST – LONG ISLAND PIANIST recorded a new elegant piano CD album in Manhattan featuring the music of Cole Porter,George Gershwin and The Great American Songbook. Stan Wiest plays Eddy Duchin’s piano at www.music-you-will-love.com
Album Notes at CD BABY
Contact STAN WIEST at 631-754-0594 , email [email protected] and visit his website at STAN WIEST JAZZ TRIO